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Death and the Mother

1892

Full size, 24K

Plaster, 1892. Size 152 x 199 x 120 cm. The original plaster model is in the collection of the Royal Museum of Fine Arts, purchased in 1899. A bronze cast was paid for by the Albertina Fonundation in 1902. Located at St. Peter's Church, Copenhagen (previously at the Church of the Holy Spirit). Cast in bronze for Vejen Art Museum, date unknown. Inv. no. 134.

 

Exhibitions

Société Nationale des Beaux-Arts, Paris, 1893. Plaster.
Charlottenborg, 1894. Plaster.
One-man show at the Free Exhibition Building, 1901. Plaster.
Charlottenborg, 1903. Bronze.
National Exhibition in Århus, 1909. Plaster.

 

Niels Hansen Jacobsen's accompanying text

When the sculpture was presented in Copenhagen, Niels Hansen Jacobsen accompanied it with a slightly reworded version of the last lines from Hans Christian Andersen's The Story of a Mother:

She let her head sink down on her bosom, and Death went away with her child into the unknown land.

 

Hans Christian Andersen's The Story of a Mother

The story tells of a mother whose child is ill. When death comes to take the child, she runs after him to wrest it from him. She would give anything to get her child back, but in the end she realizes that God's will is strongest, stronger than her own pain. It is the mother's pain, not the solace of religion, that interested Niels Hansen Jacobsen. He chose to show her defeated on the ground, covering her face with her hands in despair. Death is depicted in his traditional guise as the Grim Reaper.

It is thought-provoking how often Niels Hansen Jacobsen used Hans Christian Andersen's stories. Titles like "The Little Mermaid," and "The Sea Witch" are known with certainty to have been taken from the fairy tales, but it is difficult to link other works, such as "The Shadow" and "The Dryad," directly with Hans Christian Andersen's stories of the same names.

 

The sculpture's reception in Paris

The sculpture attracted considerable attention when it was exhibited in Paris. Niels Hansen Jacobsen was accepted as a regular member of the Société Nationale des Beaux-Arts, with the right to exhibit one work each year without it having to be approved by the exhibition committee.

 

"Death and the Mother" purchased by Carl Jacobsen

After his one-man show in 1901, Niels Hansen Jacobsen offered Carl Jacobsen all the sculptures at half price if he promised to have them put on public display. Carl Jacobsen bought only "A Troll Scenting Christian Flesh" and "Death and the Mother." The rest were stored in the vaults under Christiansborg Palace in Copenhagen. "Death and the Mother" was cast in bronze, paid for by the Albertina Foundation, and placed outside the Church of the Holy Spirit. In 1966 the sculpture had to be moved because the parish council considered it "profoundly depressing." It was transferred to the herb garden at St. Peter's Church.

 

The model for the mother: Gabriele Hansen Jacobsen (1862-1902)

Niels Hansen Jacobsen's wife, Gabriele, served as the model for the figure. She herself was trained as a painter, but chose to dedicate her life after her marriage to helping her husband. She wrote letters for him and tried to make contact with potential buyers. She did, however, also find time to work as a ceramist. The portrait reliefs of Niels Hansen Jacobsen that hang in his private rooms at the museum are believed to have been modeled by Gabriele and glazed by her husband. She was said to have been a woman with exquisite taste who was a great source of support for Niels Hansen Jacobsen, working with him and providing welcome criticism. He mourned her deeply when she died at the age of only 40 in 1902.